Mostrando entradas con la etiqueta Documental. Mostrar todas las entradas
Mostrando entradas con la etiqueta Documental. Mostrar todas las entradas

jueves, 6 de marzo de 2014

Documental Eureka




Sobre el proyecto

Sinopsis
Eureka es una película-documental donde la vida del reconocido neurocientífico Rodolfo Llinás se mezcla con las historias de diversos personajes ficticios para sumergir al espectador en los fascinantes secretos que esconde el cerebro. El largometraje tiene tres historias paralelas que se adentrarán en el aspecto más humano de la ciencia con el añadido de unos efectos especiales que transportarán al espectador a ser testigo de los mayores descubrimientos de como funciona la mente.


Más que una película
Eureka es más que una película. Eureka es el sueño de avanzar en la comprensión del cerebro, no solo por desvelar los secretos que guarda sino también para ayudar a aquellos que padecen y sufren enfermedades relacionadas con el cerebro y el sistema nervioso. Además de ese sueño Eureka también tiene un mensaje importante que transmitir a la socidad y a las nuevas generaciones en particular. El mensaje de que la Ciencia es importante. Todos nosotros creemos en el proyecto de Eureka y creemos que puede ayudar a transformar la sociedad. Para articular esa transformación, NEOÁUREA se compromete a que el 30% de los beneficios que recaude con Eureka en los cines será donado a proyectos educativos, para investigación del cerebro y para asociaciones de afectados por enfermedades psiquíatricas y neurodegenerativas. Sin embargo Eureka necesita patrocinadores para ayudar a que el proyecto se convierta en una realidad. Si te interesa el proyecto de Eureka por favor visita el apartado Patrocinio; existen distintas posibilidades tanto para empresas y personas que deseen convertirse en benefactores de este proyecto.

ORIGINAL: Neoaurea

sábado, 21 de septiembre de 2013

sábado, 10 de agosto de 2013

World first

ORIGINAL: Durrell

Incredible, never-seen-before footage of the "miracle birth" of a Sumatran orangutan has been caught on video by Durrell Staff. See an exclusive video below and find out more information on this amazing story.

Click here to adopt baby Kea



The back story... 


Dana and her new baby girl are now thriving at Durrell Wildlife Park!
Our amazing team of Keepers, Vets and even some of Jersey General Hospital’s Obstetric staff, are proud to be part of the safe arrival of Dana's new baby girl.

This is especially remarkable because Dana's previous pregnancy in 2009 suffered terrible complications that endangered her health sadly resulting in in a stillborn infant.

Dana was left with blocked fallopian tubes, leaving her infertile. However, expert intervention by Jersey General Hospital’s Head Obstetrician, Neil MacLachlan, allowed Dana and 28 year-old dominant male ‘Dagu’ to conceive again against all the odds, in late 2012.

Neil visited Dana throughout her pregnancy working with our team who, using trained behaviour techniques, carried out ultrasound scanning of Dana’s bump. This gave us the best possible chance of a healthy mother and baby.

Our team also worked hard at capturing the events leading up to and during the birth, that led to a BBC documentary to highlight our work with Critically Endangered animals globally and how we continue to save species from extinction.


Earlier this year 30 year-old female ‘Anette’s’ son ‘Jantho’ was born. Jantho is named after the release site for rehabilitated orangutans in Sumatra, where individuals rescued from deforested areas or from the pet trade are reintroduced to relative safety.



The Sumatran orangutan population, classified as Critically Endangered (IUCN Red list of threatened species), is thought to number a mere 6,600 individuals, and reportedly loses 10 to 15% of forest habitat to logging and palm oil plantations every year. Durrell maintain close ties, and share funds collected at the orangutan exhibit with the highly active Sumatran Orangutan Conservation Project (SOCP) which is headed by former Durrell keeper Dr. Ian Singleton.

For media enquires click here

Watch the BBC documentary 'Refugees of the Lost Rainforest' on iPlayer


The orangutan population in Sumatra is spiraling towards the unthinkable - the loss of this species forever.

With your kind help, we can make sure that Dana’s baby and her cousins in the wild have a future... please consider donating any amount you can spare, and in turn we will spare no effort in keeping our friends from the forest from disappearing forever.

Donate

miércoles, 16 de enero de 2013

The Climate Reality Project – Colombian coffee on the frontline

ORIGINAL: CIAT
19 December, 2012

It was probably only a matter of time before the names Andy Jarvis, Peter Laderach and Al Gore appeared in the same sentence.

So it’s great to see that a recent documentary about climate change and smallholder coffee production in Colombia finally unites these two beacons of CIAT’s climate change research with the former US Vice President, Nobel Laureate and climate change activist.


Aired as part of The Climate Reality Project – founded and chaired by Mr Gore himself – the five-minute film featured in a recent 24-hour online stream of specially-commissioned climate change documentaries and panel discussions, aimed at raising awareness of climate change and building a global movement to tackle it. Last year 9 million people tuned in to watch.

In advance of this year’s broadcast, Andy, Peter and a film crew from the Project travelled to Colombia’s Cauca department, to lift the lid on the impacts of climate change on coffee production there. To watch it, click the screen above and scroll to 05:28. You’ll almost certainly recognise a few familiar faces from our 2010 photofilm series Two Degrees Up, as well as seeing Andy and Peter in action. Mr Gore is part of the panel discussion that immediately follows the documentary.

domingo, 14 de octubre de 2012

WWF scandal (part 1): Bears feeding on toxic corporate waste

ORIGINAL: Redd Monitor
By Chris Lang, 27th July 2011


WWF, the world’s biggest environmental organisation, is under fire. On 23 June 2011, the German TV station ARD broadcast a documentary highlighting WWF’s cozy relationship with distinctly unsustainable companies like the genetically modified giant Monsanto and the rainforest destroying palm oil company Wilmar. This week Global Witness published a report criticising WWF’s Global Forest and Trade Network.

The only surprising thing is that it has taken so long for the WWF scandal to become public. The title of this post, “Bears feeding on toxic corporate waste,” is borrowed from an email that was circulated anonymously back in April 2003 (posted in full, for a little light relief, below). Sooner or later, the WWF scandal had to go public.

Today’s post is part 1 of the WWF scandal. It looks at the ARD documentary. Part 2 (coming soon) will look at the Global Witness report investigating WWF’s abysmal failure to rein in the logging industry.

The ARD documentary, “Der Pakt mit dem Panda”, was produced by Wilfried Huismann, a prize winning investigative journalist. It is posted below and can be viewed on ARD’s website(in German).

The film produced shock waves in Germany. But rather than facing up to the fact that these are serious criticisms, WWF Germany responded defensively, producing a “fact check” page on its website and a series of interviews with staff of WWF Germany who, surprise, surprise, tell us that they are doing everything they can to save the planet.

The film focusses in on WWF’s cozy relationships with corporate eco-nasties. Here are two particularly egregious examples, from the palm oil sector in Indonesia and the soy industry in Argentina.

In Indonesia, WWF has a partnership with Wilmar, a company that has converted vast areas of rainforest to monoculture oil palm plantations. WWF is quick to point out that its Memorandum of Understanding with Wilmar is to protect high conservation value forest and that it receives no money from Wilmar under this MoU. But as Nordin, who works with WALHI (Friends of the Earth Indonesia), points out in the film, WWF is in effect helping to greenwash an environmental disgrace:

WWF says that you can produce palm oil in a sustainable way. Look around. How can that be sustainable? Nothing regrows here. The partnership with Wilmar improves the image of the firm, not their practices. I have no evidence that WWF is corrupt but it helps the industry to expand further.

Predictably, Wilmar mentions the MoU in its 2007 Corporate Social Responsibility report as an example of how it implements its policies:

Wilmar upholds a policy of enhancing and maintaining flora and fauna species, and uses a flexible menu of conservation practices to protect natural habitats that are found to be rich in biodiversity.

There are two toe-curlingly embarrassing interviews in the documentary with WWF staff. In the first, a WWF Indonesia employee explains that she doesn’t really know what’s happening on the ground in the Wilmar plantation where Huismann filmed. In the second, Dörte Bieler, WWF Germany’s manager for “sustainable biomass”, is interviewed at an industry conference. No other NGOs took part in the conference. She tells Huismann that

“Our work is science-based. We always conduct a study before we have an opinion… And with this science-based evidence we have been able to achieve some things.”

But she is unable to point to a single thing that WWF has achieved through its cooperation with corporations. What’s important for WWF, according to Bieler, is that the NGO is “not just ridiculed, but accepted as a competent discussion partner.

In Argentina, Huismann looks at WWF’s relationship with soy companies. The film includes an interview with Dr Hector Laurence,[*] the personification of the WWF scandal. In a World Business Council for Sustainable Development brochure he is quoted as saying,

“I am surprised to find that some people consider that if NGOs work with business they risk loosing [sic] objectivity. Efficient and transparent collaboration between these sectors is precisely the way to overcome this prejudice.”

We shouldn’t be surprised by this, since Laurence’s career included being head of a conservation organisation called Fundación Vida Silvestre Argentina (WWF’s associate in Argentina), President of the Argentinean Asociation of Agrobusiness; and Vice-president of Pioneer Overseas Corporation, part of Dupont.

Laurence’s position on pesticides and GM soy is identical to that of the agribusinesses who have planted millions of hectares of GM soy in Argentina, Paraguay and Brazil.

WWF’s response to the interview with Hector Laurence is particularly odious:

Hector Laurence was never with WWF, instead he worked with the associated partner organisation Fundación Vida Silvestre Argentina (FVSA) until 2008.

In fact, the panda is very cuddly with FVSA. WWF’s website, under the headline “WWF-Argentina: Our solutions”, states that

Together, [WWF and FVSA] held joint campaigns, arrange global actions and receive financial backup for executing programs and projects.

The layout of FVSA’s website design is very similar to a previous WWF layout (WWF’s website has since been re-designed). FVSA’s url even includes the magic letters wwf and panda.org:

WWF-Argentina: wwfar.panda.org 

WWF-International: wwf.panda.org
WWF was one of the founders of the Round Table on Responsible Soy. But the issue of genetically modified soy is not part of RTRS discussions. Members of the RTRS can use as much GM soy as they wish. WWF denies that it promotes GM crops, arguing that it remains in the Round Table on Responsible Soy in order to reduce the amount of GM soy planted. But the reality, whether WWF likes it or not, is that its presence in the RTRS is lending legitimacy to RTRS and thus to GM soy, monocultures and agribusiness. WWF knows this – it’s beenpointed out to them many times.

Jason Clay of WWF-US [*] declined Huisman’s request for an interview. Instead the documentary included a 2010 presentation that Clay gave to the Global Harvest Initiative, an agribusiness lobbying initiative set up by Archer Daniels Midland, DuPont, John Deere and Monsanto. Among GHI’s consultative partners are Conservation International, The Nature Conservancy and WWF.We need to freeze the footprint of agriculture,” Clay says in his presentation. He explains that WWF is suggesting seven or eight things we need to work on to achieve this. “One is genetics, we have got to produce more with less,” he says, sounding just like an GM agribusiness lobbyist.

It takes 15 years, at least and maybe longer as we go along, to bring a genetically engineered product to market. If we don’t start today, we’re already at 2025. The clock is ticking. We need to get moving. There is a sense of urgency.

WWF’s response? “WWF Germany disagrees.” But the programme is not about WWF Germany. It is about WWF. And WWF admitted to the Süddeutsche newspaper that it has accepted money from Monsanto. Meanwhile, Jason Clay is not a paper pusher in some neglected outpost of the WWF empire. He is Senior Vice President for Market Transformation at WWF-US.

Not everything in Huismann documentary hits the target. A handful of WWF’s rebuttals appear plausible. But that does not make WWF’s response either acceptable or adequate. The documentary raises important issues about WWF’s cozy relationship with massive, destructive corporations. That WWF is not even interested in an intelligent and open discussion of these issues, let alone changing the way it works with destructive corporations, is a disgrace.
UPDATE and APOLOGY – 30 July 2011: I have deleted the descriptions of Hector Laurence and Jason Clay. Thanks to everyone who pointed out that the way these people look has nothing to do with the argument. I apologise for causing any offense to anyone and promise not to do that again.

Here, for the record, is Jason Clay’s presentation in full to the Global Harvest Initiative:

Return to text: Laurence ^^; Clay ^^.


Date: Thu, 3 Apr 2003 06:04:32 -0800 (PST)
From: Panda Person
Subject: Bears feeding on toxic corporate waste

Leading ecologists call for an ‘Urgent Global Coalition to save the Panda’

Grass roots environmental groups around the world must unite to save the Giant Panda (Wufwuf martinensis) from imminent extinction, say some of the world’s top ecological experts. The Giant Panda’s habitat (most of which is found near Gland, Switzerland) is being invaded by rapacious multinational companies intent on gaining control of this crucial environmental area. Recent reports indicate that the Giant Panda’s territory is now completely surrounded and heavily infiltrated by mining, logging, chemical and drug corporations.

Some scientists believe that, because of the ecological impacts caused by these companies, only a few Giant Pandas are likely to remain within a few years. As their native habitat has been destroyed, the bears have increasingly become dependent on scraps of food found at the corporations’ waste dumps. This change of diet causes Pandas to become bloated and listless, and also impairs their sight and hearing.

The Giant Panda’s population has actually been increasing in recent years, and the beasts have been seen roaming in areas where they have never previously been encountered. This has caused problems in itself. One leading bear expert has said that “The Pandas seem disorientated, lost. They’ve been stumbling around and trampling all over the habitat of other species. They’re constantly hungry and have eaten all the food needed by other, smaller, bears. Giant Pandas are lovable creatures in the right place but, to be honest, they’ve become a real pest. Ideally, they should be rounded up and put back into National Parks, where they will be less of a danger to themselves and others. Some people now feel that, if the rogue bears can’t be got rid of in any other way, then we may have to start shooting them.”

Increasingly, the Pandas are finding themselves in mortal battles with other species of bear. One renowned ecologist has reported that “The Giant Panda’s favourite tactic is to use its horribly distended size simply to crush other smaller bears to death. In some cases, the Pandas rip out the brains of the other bears and eat them. Very few smaller bears have been able to defend themselves so far, and mostly they just have to run away and hide. However, these kinds of ‘bear against bear’ clashes are likely to become more frequent and more bloody.”

Many scientists now believe that the Giant Panda’s recent population explosion will inevitably be followed by an equally dramatic, and possibly terminal, population crash. One expert (who wished to remain anonymous for fear of reprisals) has said that “The Pandas appear to have lost the ability to feed themselves with fresh food in their own natural habitat. If the corporations decide to stop leaving their waste around for the bears to eat, as they eventually will, then the Panda population will plummet. This is the kind of phenomenon observed in some small-brained creatures such as lemmings, but never before with species that are supposedly as intelligent as Giant Pandas.”

Other sub-species of the Panda around the world are equally threatened. The population of the South African Panda, for example, is being held in captivity by the country’s two largest plantation companies, one of which is a world leader in the development of genetically modified ‘Frankenstein trees’. Some observers believe that it is only a matter of time before the companies slay the South African Pandas for their precious skins, which corporate executives value highly for use as camouflage when hunting down local environmentalists. Others believe that sinister experiments are underway in which the captive bears are also being genetically modified such that, in future, they would become dependent on leaves from the company’s bio-engineered eucalyptus trees.

In Canada and Sweden, some of the most controversial logging companies have been seen feeding the local Pandas. There is widespread speculation that the food is either laced with poison or possibly with a strong tranquillising drug which will render the Pandas helpless and immobile. Canadian corporate executives regularly force captive Pandas to perform humiliating and degrading dances at international events, just for the sake of public entertainment.

In Australia, the huge Vino Tinto mining company has bought the entire local population of Pandas. It has been reported that Tinto has also been feeding the Australian Pandas with huge quantities of food spiked with a highly addictive drug, and has set the doped animals to work in guarding the company’s mines.

In the US, corporate executives have successfully disguised themselves as Pandas in order to infiltrate the local population of bears. Some local observers see this as part of a cunning long-term plan to ensure that future generations of Pandas never learn from their parents how to use either their teeth or claws.

Ecologists believe that these problems are part of a worldwide pattern. However, the fate of other Panda sub-species is not entirely known. A spokeswoman for the newly formed ‘Save the Panda Coalition’ said “We suspect that Pandas from Japan to Brazil, and Germany to Indonesia may have already been captured by multinational corporations, and are being forced-fed with contaminated food. We urgently need more research on this by local experts.”

Summing up the tragic situation, a bear expert has said that “Some Pandas seem to have escaped the clutches of the big industrialists but, really, there’s nowhere else for them to go. They will probably just die of starvation. We need a global effort to get the corporations out of the Giant Panda’s habitat, and to free all the sub-species now being held in captivity. This has to be a top priority for the world environment and conservation movement. Any genetically modified and mutant Pandas will probably have to be destroyed, along with those that have become totally dependent on corporate waste, but this is a price worth paying if it helps to protect the species as a whole.”

viernes, 12 de octubre de 2012

Europe to the Stars — ESO's first 50 years of Exploring the Southern Sky

ORIGINAL: ESO


MOVIE

To celebrate its 50th anniversary year, ESO is releasing the documentary Europe to the Stars — ESO's first 50 years of Exploring the Southern Sky. The movie captures the story of its epic adventure — a story of cosmic curiosity, courage and perseverance. The story of discovering a Universe of deep mysteries and hidden secrets. The story of designing, building and operating the most powerful ground-based telescopes on the planet.

The movie consists of eight chapters each focusing on an essential aspect of an observatory, while putting things in perspective and offering a broader view on how astronomy is made. From site testing and explaining the best conditions for observing the sky to how telescopes are built and what mysteries of the Universe astronomers are revealing. It has a total duration of 61 minutes. It is produced in full HD (1080p) and is available on blu-ray or DVD. It has a comprehensive bonus section, narration and subtitles in several languages.
Blu-ray, mastered in full HD, 1080p
63 minutes

Bonus material
Narration in English
Subtitles in 20 languages: Cesky, Dansk, Deutsch, English, e???????, Español, Français, íslenska, Italiano, Nederlands, Polski, Português, Português (Brasil), P??????, Româna, Slovenski, Suomen, Türkçe, ??????????, ??????.
Region-free
Formats: cardboard DVD, DVD in a plastic box and blu-ray

It is available in the ESOshop in the three formats:



Parts of the movie are available online:


Translations

We are using the dotSUB service to let people easily translate the English-language transcripts for the 8 chapters — uploaded as ESOcast episodes — using a simple user interface. We credit all translators.

Those who wish to contribute a translation are kindly asked to write an email to information@eso.org with your full name (include how you would like it to appear in the credits), language, email address, and dotSUB username (you will need to create a free account at dotSUB).

To learn more about ESO’s policy towards translations, please visit Subtitles and translations for ESO videos webpage.
Screenings

Information about screenings will soon be available on this page.
Credit:

An ESO production

Directed by: Lars Lindberg Christensen
Art Direction, Production Design: Martin Kornmesser
Producer: Herbert Zodet
Written by: Govert Schilling
3D animations and graphics: Martin Kornmesser & Luis Calçada
Editing: Martin Kornmesser
Cinematography: Herbert Zodet & Peter Rixner
Sound engineer: Cristian Larrea
Audio Mastering: Peter Rixner
Host & Lead Scientist: Dr J (Dr Joe Liske, ESO)
Narration: Sara Mendes da Costa
Soundtrack & Sound Effects: movetwo — Axel Kornmesser & Markus Löffler (movetwo.de)
Additional music: John Stanford & zero-project (zero-project.gr)
Proof reading: Anne Rhodes
Subtitles: Mathieu Isidro
Technical support: Lars Holm Nielsen, Raquel Yumi Shida & Mathias Andre
DVD Authoring: Andre Roquette
Executive producer: Lars Lindberg Christensen 
Footage and photos: ESO, Christoph Malin (christophmalin.com), Babak Tafreshi/TWAN, Stéphane Guisard (eso.org/~sguisard), José Francisco Salgado (josefrancisco.org), Alexandre Santerne, Nick Risinger (skysurvey.org), Martin Kornmesser, Herbert Zodet, J. Dommaget/J. Boulon/J. Doornenbal/W. Schlosser/F.K. Edmondson/A. Blaauw/Rademakers/R. Holder, Mineworks, Daniel Crouch/Rare Books (crouchrarebooks.com), Getty Images, Royal Astronomical Society/Science Photo Library, Jay M. Pasachoff, Chris de Coning/South African Library/Warner-Madear, Africana Museum/Warner, Leiden University, G. Brammer, Mauricio Anton/Science Library, NASA/Spitzer Science Center/R. Hurt, VISTA/J. Emerson, Digitized Sky Survey 2, MPE/S. Gillessen/M. Schartmann, PIONIER/IPAG, Rainer Lenzen/MPIA Heidelberg, West-Eastern Divan Orchestra in Berlin by KolBerlin, Davide De Martin, Cambridge Astronomical Survey Unit, IDA/Danish 1.5 m/R. Gendler and C. Thöne, Mario Nonino, Piero Rosati and the ESO GOODS Team, ALMA (ESO/NAOJ/NRAO), The NASA/ESA Hubble Space Telescope, Matthias Maercker, Igor Chekalin, Hans-Hermann Heyer, Edmund Janssen, Luis Calçada, Graeme Lufkin, Scott Kardel, Tom Jarrett, Kevin Govender, Sergey Stepanenko, ESA, NASA, IAU/IYA2009, T. Preibisch, R. Fosbury (ST-ECF), INAF-VST/OmegaCAM, OmegaCen/Astro-WISE/Kapteyn Institute, A. Fujii, J.-B. Le Bouquin et al., D. Coe (STScI)/J. Merten (Heidelberg/Bologna), Gemini Observatory/NRC/AURA/Christian Marois et al., M. Janson, Jean-Luc Beuzit, IAC (SMM) and ESPRESSO consortium, T.M. Brown (STScI), UltraVISTA team, TERAPIX/CNRS/INSU/CASU, World Wide Telescope.

jueves, 4 de octubre de 2012

lunes, 10 de septiembre de 2012

How To Grow a Planet (BBC Documentary 2012)

ORIGINAL: YouTube

Broadcast 2012. How To Grow A Planet: We might think humans are the most powerful living thing on Earth, but it's plants that time and again have set the agenda for life. All animals rely on plants for their survival. This is not an accident - they are the most powerful evolutionary force on Earth. Plants enabled amphibians to leave the water, they had a hand in the rise and fall of the dinosaurs, and they ensured the ultimate triumph of insects, mammals, birds and even us - all for their own benefit. Because plants have only ever had one goal - the total domination of the planet. It is a story of ruthless ingenuity, seduction and deception; of unimaginable power and ambition. An epic tale, How to Grow a Planet offers a stunning new perspective on Earth history.

Life from Light: In this first episode Iain journeys from the spectacular caves of Vietnam to the remote deserts of Africa. He sees how plants first harnessed light from the sun and created our life-giving atmosphere. He uncovers the epic battle between the dinosaurs and the tallest trees on the planet. And, using remarkable imagery, he shows plants breathing - and for the first time talking to each other.

The Power of Flowers: In the second episode, Iain discovers how flowers have transformed our planet. He journeys to the remote islands of the South Pacific to track down the earliest flowers. In the deserts of Africa and rainforests of Vietnam, he sees how they brought brilliant colour to the most barren landscapes and sculpted the earth itself. And he learns how they drove the evolution of all animals - kick-starting our human story.

The Challenger: In the third episode, Iain discovers the remarkable impact of just one plant: grass. On the savannah of South Africa he sees how grass unleashed a firestorm to fight its greatest enemy, the forests. He shows how cutting your finger on a blade of grass shows us how it transformed life in the oceans. In Senegal, he meets the cleverest chimps in the world. And, in the ruins of the oldest temple on Earth, he tells the extraordinary story of how grass triggered human civilisation.

domingo, 29 de julio de 2012

Cerrejón la Muerte Negra

ORIGINAL: YouTube


Cerrejón la Muerte Negra,
Ubicada en la península de la Guajira al norte de Colombia es la mina de carbón a cielo abierto más grande del mundo que tiene a los wayúu al margen de la extinción, con la polvareda de carbón de las Multinacionales y los drenajes de ácidos y residuos de dinamita que caen al Río Ranchería ha provocado muertes, alteraciones genéticas, diarreas de sangre, severas enfermedades respiratorias y abortos de animales, entre otras se han diagnosticado más de 800 casos de enfermedades. Según el estudio epidemiológico de las semanas 1- 24 del 2010 del departamento de La Guajira, los casos de Infecciones Respiratorias Agudas (IRA) son la segunda causa de morbilidad en los municipios de Albania, Barrancas y Hatonuevo --vecinos de La Mina. Desplazamiento forzado a pueblos ancestrales, muertes provocadas por el ferrocarril que lleva carbón y no se puede detener aunque se le atraviesen chivos o personas. Comunidades Afectadas por el ruido de las maquinarias explosiones, la sísmica. Lideres que han sido amenazados o comprados, medios de comunicación silenciados a cambio de becas y pautas.

Actualmente el cerrejón pretende desviar 26.2 kilómetros de su cauce del Río Ranchería, con ello poner en riesgo la vida de miles de indígenas, afro descendientes y pobladores de varios municipios, para poder extraer más de 500 millones de toneladas de carbón. Es la mayor angustia colectiva, poner en riesgo la vida de miles de indígenas, afro descendientes y pobladores de varios municipios. 

Suficientes estudios socioeconómicos y ambientales han demostrado que los pueblos en el departamento de la Guajira, son más pobres que antes de la explotación carbonífera, Colombia es uno de los países de suministro de carbón más importantes para la Unión Europea. El gobierno y las Multinacionales nos venden la idea de que el interés particular tiene el mismo fin y objetivos del interés general de la sociedad, Las multinacionales tienen apoderado el territorio. 

Las empresas explotadoras no solo saquean nuestro carbón, sino que también arruina el medio ambiente, destruye ríos, degrada la fauna y la flora.

Multinacionales Propietarias del Cerrejón: 
  • BHP Billiton PLC (Australia y Gran Bretaña): 33,3 %
  • Anglo American PLC (Gran Bretaña África del Sur): 33,3%
  • Xstrata PLC (Suiza): 33.3%
Desde febrero de 2012 hay anuncios de fusión entre la suiza Glencore y Xstrata, que crearía la tercera minera más grande del mundo; en el caso de Colombia, la combinación de intereses establecería la mayor productora y exportadora de carbón.[1] El 12 de julio votarán los accionistas de la minera Xstrata sobre la oferta de compra de US$30.000 millones de Glencore. Los accionistas de Glencore ya cuentan con casi un 34% de las acciones de Xstrata.[2]

El Director Ejecutivo Mike Davis, el CEO de Xstrata recibe en el proceso primas de fidelidad en tres años por 80.000 millones de pesos, además de los 25.000 millones de pesos que recibe anualmente como sueldo. Vale la pena hacer la comparación: En 2010, Cerrejón invirtió aprox. 18.000 millones de pesos (10 millones de US dólares) en proyectos sociales -- esto es menos de lo que recibe Mike Davis como salario anual.

[1] Información ASK Suiza, 8 de junio de 2012.
Tema Cerrejón y Naciones Unidas Alexandra Guáqueta trabaja actualmente como miembro del Grupo de Trabajo de Derechos Humanos y Empresas Transnacionales de Naciones Unidas (ver: ver:http://www2.ohchr.org/spanish/bodies/chr/special/themes.htm) Previamente, en Colombia, la señora Guáqueta ha sido en el pasado asesora de la empresa minera Cerrejón (ver por ejemplohttp://www.cerrejon.com/site/Portals/0/Documents/pdf/tpr/EL_CASO_TABACO/COMUN...) y ha representado a la empresa y a sus intereses en diferentes espacios, entre ellos en el Comité Minero Energético del Programa Presidencial de DDHH y DIH del gobierno colombiano. 

EXPEDICIÓN POR EL RÍO RANCHERÍA
CONVOCATORÍA
16 AL 20 DE Agosto de 2012
Inscripciones:
La inscripción en la Expedición "Río Ranchería 2012" debe hacerse por organizaciones y delegaciones hasta el 5 de agosto de 2012 a través de los siguientes correos:
Cuandoelriosuena2012@gmail.com miguajiraviva@gmail.com

Equipo de formación CAJAR

Realizador Y Periodista
Bladimir Sánchez Espitia
@xbladimir 

sábado, 14 de julio de 2012

Belo Monte - Anuncio de una Guerra

ORIGINAL: Catarse

The Construction of Belo Monte Dam is one of the most controversial developments ever seen in the Brazilian history. The issues raised by its construction go beyond environmental, cultural and social impacts. The approval of a gigantic development in the hearth of the Amazon forest, amongst precious indigenous nation’s territory has raised alarming concerns. The lack of studies and uncertainties towards the eminent catastrophic outcomes put an obscure perspective against Brazilian government energy generation that aims to transform the Amazon on a hydrologic dam yard.

The independent film making company Cinedelia has taken the challenge of producing with its own resources the most detail documentation ever made about the Belo Monte hydrologic dam construction.

In the last two years, Cinedelia has done 3 expeditions to the Xingu river basin, where produced over 120 hours of footage including Altamira, Brasília and São Paulo. Cinedelia has also made 87 interviews with people involved on decision making, studies, affected community and indigenous communities about the construction of Belo Monte dam.

Cinedelia’s documentation team has done exhaustive research in the controversial decision making process leading to approval of construction of Belo Monte. The vertical decision making process that excluded environmental studies, economic studies, human rights, indigenous nation’s leaders concerns and causing revolt to the Brazilian society.

Cinedelia aims to raise R$ 114 thousand reais in 30 days to finalize the film in digital format. It seems like a lot of money, but in reality it is not enough to take the film to cinema theaters. Our goal is to release the film on the Internet and make it available to the world the highlights of the documentation made on the last 2 years.

The Crowd funding is the only mechanism Cinedelia has to finalize the pos production of this precious documentary “Belo Monte – Announcement of a War”.

As an independent production this feature documentary has the commitment with the truth and aims to show the Brazilian Society and the world the facts behind the scenes of the controversial construction of Belo Monte hydrological dam.

The funds raised will be invested on the pos production of Belo Monte – Announcement of a War” allowing Cinedelia to publish the film in digital format making it available to the world in time to allow the society to see the reality ridden from the public, before it is too late to take action.

Please feel free to check the film detailed budget, available here.

We from Cinedelia have founded this project with our own resources because we truly believe that together we can make a difference. With your support we get stronger and closer to achieve our goal. Help us to finalize this film and give visibility to the truth gathering more support from people like you across the globe.

By making a donation you become part of this project to help stop Belo Monte Dam and start a serious discussion about alternative forms of generating energy in Brazil.

If you are not in Brazil, email us to belomonteofilme@gmail.com and we will explain the donation reward system.

Contact:

Twitter: @belomonteofilme

Team:
Director: André D’Elia
Executive Producers: Beatriz Vilela, Francisco D’Elia
Director of Photography: Rodrigo Levy Piza, Federico Dueñas
Sound directors: Téo Villa, Diego Depane
Graphic Designer: Federico Dueñas
Editor: Mauro Moreira
Assistant Editor: André Souza
Communication and Mobilization: Caio Tendolini, Daniel Joppert, Digo Castello and Mundano

miércoles, 4 de julio de 2012

THE END OF THE LINE - UN MUNDO SIN PECES



Sinopsis:
¿Qué está pasado con los peces de todo el mundo? ¿De dónde viene el atún que comes? ¿Y cómo fue capturado? ¿Es el mar una fuente inagotable de recursos? La fundación MarViva y Greenpeace presentan "THE END OF THE LINE - UN MUNDO SIN PECES" , el primer documental riguroso sobre la desaparición de las especies marinas y la seguridad alimentaria.

"The End of the Line - Un mundo sin peces" se basa en un libro del periodista de investigación Charles Clover, y cuenta con el apoyo, además de MarViva, de las fundaciones Waitt Family y Channel 4 Britdoc.

La película ha sido producida por Arcane Pictures, Calm Productions y Darmouth Films
La versión original de "THE END OF THE LINE - UN MUNDO SIN PECES" narrada por el actor Ted Danson (Cheers, Damages) — se presentó en el Festival de Cine Sundance 2009. Su promoción ha sido apoyada por cientos de organizaciones medioambientales, oceanográficas y de conservación marina , incluidos el Consejo para la Defensa de los Recursos Naturales (NRDC), National Geographic, Greenpeace y WWF.
La versión doblada al castellano y que veremos en Argentina, está a cargo de Miguel Bosé.

Si bien esta película no se estrenará comercialmente (la idea no es lucrar con el film), estamos haciendo a través de la Fundación de MarViva, España, con el apoyo local de Greenpeace, una campaña de concientización sobre la extinción de peces a mediano plazo. Posiblemente haya funciones gratuitas que avisaremos luego.

Pero es por esta causa que necesitamos la mayor colaboración posible de los comunicadores.
No nos interesa hacer una crítica de espectáculos hacia film sino tratar de difundir en la más amplia forma posible las ideas, conclusiones y reflexiones que se muestran en esta película.

Ficha Técnica:
Dirección: Rupert Murray
Productores Ejecutivos:
Christopher Hird y Jess Search, Ted Waitt y Erica Knie (MarViva)
Productores: Claire Lewis y George Duffield
Montaje: Claire Ferguson
Narración: Miguel Bosé (castellano)

Datos Técnicos:  82 min.

País: UK 



Documental que denuncia, a través de impactantes imágenes, el daño que la sobrepesca está haciendo a los océanos y las consecuencias globales que puede tener en la biodiversidad marina y en nuestra propia vida.

Filmado durante más de dos años siguiendo las investigaciones de Charles Clover, periodista del Daily Telegraph, el documental examina la inminente extinción del atún rojo, fundamentalmente producida por el aumento de la demanda occidental de sushi, y revela que si el sector de la pesca no se regula, en el año 2048 podrían haber desaparecido de nuestros mares todos los peces comestibles, lo que provocaría una hambruna que afectaría a millones de personas y dejaría en paro a todo el sector pesquero mundial.

lunes, 2 de julio de 2012

Battle for the Xingu


Cultures of Resistance is excited to present our short film "Battle for the Xingu" online. The film is about indigenous Kayapó opposition to the Brazilian government’s proposed Belo Monte Dam on the Xingu River in the Amazon. The dam would have a disastrous impact on the Kayapó homeland. The film features footage from the 2008 Altamira summit, a key moment of the burgeoning Kayapó movement, when 1,000 Indians joined national and international supporters in the city of Altamira, Para to protest the Belo Monte Dam project plans. It was the largest indigenous gathering in the Brazilian Amazon in nearly twenty years.

In her article at the Huffington Post, Iara Lee discusses the local, national, and international resistance to the Belo Monte project, and the flawed thinking behind the many mega-dams around the world. She also published an updated version of the article on the Video for Change blog at WITNESS , an organization that was formed to harness the power of video for human rights advocacy.

If you are interested in hosting your own screening of "Battle for the Xingu," please get in touch here  or email us at info@culturesofresistance.org.


Belo Monte's Many Flaws

Many specialists from across Brazil and abroad—including economists, engineers, and environmental scientists—have made it clear that Belo Monte is an ill-conceived dam. While the government estimates the project’s total price tag at US$8.7 billion, independent assessments have put the number around $17 billion, while numerous private corporations have lost interest in investing. Indeed, state-owned, taxpayer-financed companies account for approximately 75% of the recently signed concession.

The dam’s technical viability has also been called into question. Coronado Antunes, ex-President of the state-owned water and sanitation utility Sabesp, was quoted in the July issue of the Journal of the Brazilian Engineering Institute , calling the dam "the worst engineering project in the history of hydroelectric dams in Brazil, and perhaps of any engineering project in the world." According to independent evaluations, during the seasons and years when the river’s flow is below its peak, the dam will generate far less than what government and industry proponents have touted to the public. Quoting Antunes again, "in years of low instream flow, Belo Monte will be disastrous."

Besides the economic and technical issues, and the thousands who would be forced from their homes due to flooding, less-obvious impacts abound. Fresh water would be significantly less available; fish species would be decimated; water-borne diseases like Malaria would skyrocket.

According to a World Wildlife Fund study , through investments in energy efficiency Brazil could cut its projected demand by 40% by the year 2020—the equivalent to 14 dams the size of Belo Monte. On the other hand, approximately 30% of the dam’s generated power will go to heavy industry like mining companies, which themselves are some of the world’s worst polluters.

The Campaign to Stop the Dam
We at Cultures of Resistance think International Rivers is one of the best groups working to protect rivers and the people who depend on them, particularly the Xingu. Founded in 1985, the group has worked to encourage more efficient ways of meeting the world’s water and energy needs. The International Rivers network includes environmentalists, human rights activists, ecological and industry experts, as well as individuals who are directly affected by the building of large dams. In their review of the Belo Monte Dam project, International Rivers experts reported that “although it would have an official installed capacity of 11,233 MW, the dam would be highly inefficient, generating as little as 1000 MW during the 3-4 month low water season." They concluded that the irreversible, harmful impact of the dam would greatly outweigh the economic value of the energy it would produce. Those inspired by the activism in the short film should consider getting involved with International Rivers.

How You Can Get Involved
Indigenous leaders continue to demand that the Brazilian government terminate the dam project, andInternational Rivers reports that the Kayapó have interpreted the continuation of construction plans as a threat of war. To join the fight to preserve the Xingu River, International Rivers recommends:
  • Hosting your own screening and discussion of "The Battle for the Xingu." Cultures of Resistance can help you arrange a screening of the film.
  • Writing to President Rousseff and other Brazilian government officials to say that the international community will not tolerate the destruction of the Amazon region’s ecological and cultural diversity.
  • Donating directly to International Rivers’ Xingu River campaign.
  • Joining the International Rivers mailing lists to receive updated information regarding developing issues, current campaigns, and future events.
  • Volunteering with International Rivers. The group needs volunteers in all areas of administration, and well as research, education, and advocacy. Volunteer opportunities are available to individuals of all ages and in many different regions of the world.





domingo, 1 de julio de 2012

Acid Test: The Global Challenge of Ocean Acidification


This groundbreaking NRDC documentary explores the startling phenomenon of ocean acidification, which may soon challenge marine life on a scale not seen for tens of millions of years. The film, featuring Sigourney Weaver, originally aired on Discovery Planet Green.

Fabricados para no durar

ORIGINAL: RTVE.es
SUSANA RODRÍGUEZ 
04.01.2011

Chip instalado en una impresora diseñado para registrar el número de impresiones y enviar una señal de error al usuario al llegar a un número determinadoMEDIA 3.14
Baterías que se 'mueren' a los 18 meses de ser estrenadas, impresoras que se bloquean al llegar a un número determinado de impresiones, bombillas que se funden a las mil horas... ¿Por qué, pese a los avances tecnológicos, los productos de consumo duran cada vez menos?

La 2 de Televisión Española y RTVE.es emiten  "Comprar, tirar, comprar" un documental que nos revela el secreto: obsolescencia programada, el motor de la economía moderna.

Rodado en España, Francia, Alemania, Estados Unidos y Ghana, Comprar, tirar, comprar, hace un recorrido por la historia de una práctica empresarial que consiste en la reducción deliberada de la vida de un producto para incrementar su consumo porque, como ya publicaba en 1928 una influyente revista de publicidad norteamericana, "un artículo que no se desgasta es una tragedia para los negocios".

El documental, dirigido por Cosima Dannoritzer y coproducido por Televisión Española, es el resultado de tres años de investigación, hace uso de imágenes de archivo poco conocidas; aporta pruebas documentales y muestra las desastrosas consecuencias medioambientales que se derivan de esta práctica. También presenta diversos ejemplos del espíritu de resistencia que está creciendo entre los consumidores y recoge el análisis y la opinión de economistas, diseñadores e intelectuales que proponen vías alternativas para salvar economía y medio ambiente.

Una bombilla en el origen de la obsolescencia programada
Edison puso a la venta su primera bombilla en 1881. Duraba 1500 horas. En 1911 un anuncio en prensa española destacaba las bondades de una marca de bombillas con una duración certificada de 2500 horas. Pero, tal y como se revela en el documental, en 1924 un cártel que agrupaba a los principales fabricantes de Europa y Estados Unidos pactó limitar la vida útil de las bombillas eléctricas a 1000 horas. Este cártel se llamó Phoebus y oficialmente nunca existió pero enComprar, tirar, comprar se nos muestra el documento que supone el punto de partida de la obsolescencia programada, que se aplica hoy a productos electrónicos de última generación como impresoras o iPods y que se aplicó también en la industria textil con la consiguiente desaparición de las medias a prueba de carreras.


Consumidores rebeldes en la era de Internet
A través de la historia de la caducidad programada, el documental pinta también un fresco de la historia de la Economía de los últimos cien años y aporta un dato interesante: el cambio de actitud en los consumidores gracias al uso de las redes sociales e Internet. El caso de los hermanos Neistat, el del programador informático Vitaly Kiselev o el catalán Marcos López, dan buena cuenta de ello.

África, vertedero electrónico del primer mundo
Este usar y tirar constante tiene graves consecuencias ambientales. Tal y como vemos en este trabajo de investigación, países como Ghana se están convirtiendo en el basurero electrónico del primer mundo. Hasta allí llegan periódicamente cientos de contenedores cargados de residuos bajo la etiqueta de 'material de segunda mano' y el paraguas de una aportación para reducir la brecha digital y acaban ocupando el espacio de los ríos o los campos de juego de los niños.

Más allá de la denuncia, el documental trata de dar visibilidad a emprendedores que ponen en práctica nuevos modelos de negocio y escucha las alternativas propuestas por intelectuales como Serge Latouche, que habla emprender la revolución del 'decrecimiento', la de la reducción del consumo y la producción para liberar tiempo y desarrollar otras forma de riqueza, como la amistad o el conocimiento, que no se agotan al usarlas.

¿Por qué los productos electrónicos duran cada vez menos? 
¿Cómo es posible que en 1911 una bombilla tuviera una duración certificada de 2500 horas y cien años después su vida útil se haya visto reducida a la mitad? 

En la estación de Bombreos No 6 de Livermore una bombila que ha permanecido encendida por 110 años. Nadie, ni en esta época dorada de la tecnología, sabe porqué. Y nadie quiere removerla para investigarlo. "Aún ofrece su cálido y comfortable brillo," dice el jefe jubilado de división Lynn Owens.  http://www.centennialbulb.org

¿Es compatible un sistema de producción infinito en un planeta con recursos limitados?
El documental, dirigido por Cosima Dannoritzer y coproducido por Televisión Española, es el resultado de tres años de investigación, hace uso de imágenes de archivo poco conocidas; aporta pruebas documentales de una práctica empresarial que consiste en la reducción deliberada de la vida de un producto para incrementar su consumo y muestra las desastrosas consecuencias medioambientales que se derivan. También presenta diversos ejemplos del espíritu de resistencia que está creciendo entre los consumidores y recoge el análisis y la opinión de economistas, diseñadores e intelectuales que proponen vías alternativas para salvar economía y medio ambiente


TVE emite Comprar, tirar, comprar, documental sobre caducidad programada 
Desde los años 20 se fabrican productos para que tengan una duración limitada