ORIGINAL: TeddyBearfilms
Bitter Seeds is the final film in Micha X. Peled’s Globalization Trilogy, following Store Wars: When Wal-Mart Comes to Town and China Blue. The films won 18 international awards, aired on over 30 television channels and screened in more than 100 film festivals. They also connected viewers to NGO action campaigns and encouraged Western consumers to understand their impact on the rest of the world.
Bitter Seeds explores the future of how we grow things, weighing in on the worldwide debate over the changes created by industrial agriculture. Companies like the U.S.-based Monsanto claim that their genetically modified (GM) seeds offer the most effective solution to feeding the world’s growing population, but on the ground, many small-scale farmers are losing their land. Nowhere is the situation more desperate than in India, where an epidemic of farmer suicides has claimed over a quarter million lives. Every 30 minutes one farmer in India, deep in debt and unable to provide for his family, commits suicide.
Following a U.S. complaint to the World Trade Organization, India had to open its doors to foreign seed companies. Within a few years, multinational corporations had taken over India’s seed market in a number of major crops. Now only GM seeds are available at the shops, requiring India’s farmers to pay an annual royalty. The GM seeds are much more expensive; they need additional fertilizers and insecticides and must be re-purchased every season. While large farms have prospered, the majority of farmers find it increasingly more difficult to make a living off their land.
Bitter Seeds follows a season in a village at the epicenter of the crisis, from sowing to harvest. Like most of his neighbors, cotton-farmer Ram Krishna must borrow heavily in order to afford the mounting costs of modern farming. Required by a money-lender to put up his land as collateral, he gambles on everything he has.
When his crop is attacked by pests, Ram Krishna must do whatever he can to avoid losing the family land. Adding to his burden is another duty – his daughter has reached marrying age, and he must find the money for an expensive dowry. Ram Krishna has just become a candidate for joining the ranks of the farmers who commit suicide in despair.
Weaving in and out of Ram Krishna’s story is that of his neighbor’s daughter. Manjusha, a college student, is determined to become a journalist and tell the world about the farmers’ predicament. Her family opposes her plans, which go against village traditions. Manjusha’s ambition is also fueled by her personal history – her father was one of the suicide victims. When a newspaper reporter agrees to look at her writing, Manjusha takes on Ram Krishna’s plight as her first reporting project. Armed with a small camera from the production team, her video becomes part of the film.
The film follows the seeds salesmen from the remote village in the state of Maharashtra to their company’s headquarters. Interviews with seed industry executives (including Monsanto’s) and their critic, Vandana Shiva, flesh out the debate.
Bitter Seeds features compelling characters to tell a deeply moving story from the heart of the worldwide controversy about the future of farming.
“Films like this can change the world.”
– Alice Waters
“A tragedy for our times, beautifully told, deeply disturbing.”
– Michael Pollan
“Better than a Batman movie…with real villains making up their own lines.”
– Peter Sellars
The Film
Biotechnology is changing the way farming is done all over the world. Advocates believe the “New Green Revolution” is the only way to provide sufficient food for the world's growing population while opponents raise environmental concerns and fear that GMOs drive small-scale farmers off the land. Bitter Seeds explores the controversy — from a village in India that uses genetically modified seeds to U.S. government agencies that promote them.
The Filmmaker
Micha Peled. Producer/Director |
Micha X. Peled founded Teddy Bear Films in 1999. Peled produced and directed videos for the U.S. peace movement in the 1980s. He made his first television documentary in 1992, while working as the executive director of Media Alliance, a San Francisco media watchdog group. In 2000 Peled completed Store Wars: When Wal-Mart Comes to Town, which won Best Documentary at the San Francisco International Film Festival. It was nominated for the IDA (International Documentary Association) Distinguished Achievement Pare Lorenz Award. Conceived as a prequel to the previous film, Peled’s first feature doc, China Blue, Store Wars looks at how the cheap goods we consume are made. The film opened at the Toronto International Film Festival and won the Amnesty International Human Rights Award at the International Documentary Festival in Amsterdam (IDFA).
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